Write Choices: The Elements of Nonfiction Storytelling, by Sue Hertz
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Write Choices: The Elements of Nonfiction Storytelling, by Sue Hertz
Read and Download Ebook Write Choices: The Elements of Nonfiction Storytelling, by Sue Hertz
Looking at the hard choices writers confront when crafting any kind of factual narrative, this book helps journalism students to improve specifically their nonfiction storytelling skills.
Write Choices: The Elements of Nonfiction Storytelling, by Sue Hertz- Amazon Sales Rank: #551078 in Books
- Published on: 2015-03-03
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .70" w x 5.90" l, .0 pounds
- Binding: Paperback
- 272 pages
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Most helpful customer reviews
3 of 3 people found the following review helpful. Engaging, helpful style matched with very broad cross-section of writing examples By Nathan Webster For students and instructors in nonfiction classes, author Sue Hertz has put together a creative textbook model that is as engaging to read as it will be useful in the classroom.Most conventional texts for a nonfiction (and fiction) writing class follow a fairly basic model - a few chapters focused on writing techniques and strategies, followed by a standalone anthology of a variety of essays in the writing model. This is a tried and true method, and it works fine.However, what I've found these books generally lack is a clearcut connection between the two sections I refer to. The writing instruction aspect stands apart from the writing models themselves, and it's sometimes difficult to get students to engage with one part, while they're flipping back and forth between the other. If that doesn't make sense - that's sort of the point. These other books offer an often disconnected model.What Hertz has successfully done is interweave her own analysis and discussion of often short chunks of material in a way that directly engages the student at that time, in the moment. So while her use of full essays/stories is limited, the tradeoff is the book is engaging to read and presents the "ah-ha" moment directly with her examples, or simply short descriptions of a writer's strategy. She will discuss why a short excerpt was successful - and then show that short excerpt. Instead of focusing on a dozen or so full readings in an anthology, Hertz is now able to include references to dozens, perhaps hundreds of readings across the spectrum of nonfiction.A final chapter on revision - including a very specific, word-by-word breakdown of a piece - is a great addition, and something else I've found absent or under-explained in many texts. Hertz provides the vitally important 'before and after' of an essay, so the revision process can be seen as it happens. Again, students can engage with the revision in the "real time" of the reading, not the theoretical teacher's statement that "a final draft takes many, many drafts." Yes, I'm sure it does - but what do those multiple drafts consist of? Here, Hertz actually shows some of what that statement means.The tone is conversational and interesting, and never takes on the feel of a pedantic textbook. Hertz takes on the role as a guide and partner of the reader/students; Hertz also uses a lot of her own background as a writer to provide personal anecdotes, and that personal experience is a valuable additional layer of context that I find many other textbooks overlook.It is geared toward nonfiction with an "outside-looking" focus on reportage, less-so personal, memoir-style writing - and Hertz gives a good roadmap for how to raise and prepare questions about other people and situations.I think the combination of Hertz's engaging writing style and literally dozens and dozens of great writing examples make this a unique addition to the library of writing instruction texts. I was provided a free copy for review.
0 of 0 people found the following review helpful. Good resource for writers By AmyinTampa This is a great book for the beginner non fiction writer. The author provides many examples and breaks down the material in a concise and easy to understand way.
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