Those Who Write for Immortality: Romantic Reputations and the Dream of Lasting Fame, by H. J. Jackson
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Those Who Write for Immortality: Romantic Reputations and the Dream of Lasting Fame, by H. J. Jackson
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Great writers of the past whose works we still read and love will be read forever. They will survive the test of time. We remember authors of true genius because their writings are simply the best. Or . . . might there be other reasons that account for an author’s literary fate? This original book takes a fresh look at our beliefs about literary fame by examining how it actually comes about. H. J. Jackson wrestles with entrenched notions about recognizing genius and the test of time by comparing the reputations of a dozen writers of the Romantic period—some famous, some forgotten. Why are we still reading Jane Austen but not Mary Brunton, when readers in their own day sometimes couldn’t tell their works apart? Why Keats and not Barry Cornwall, who came from the same circle of writers and had the same mentor? Why not that mentor, Leigh Hunt, himself? Jackson offers new and unorthodox accounts of the coming-to-fame of some of Britain’s most revered authors and compares their reputations and afterlives with those of their contemporary rivals. What she discovers about trends, champions, institutional power, and writers’ conscious efforts to position themselves for posterity casts fresh light on the actual processes that lead to literary fame.
Those Who Write for Immortality: Romantic Reputations and the Dream of Lasting Fame, by H. J. Jackson- Amazon Sales Rank: #1108980 in Books
- Brand: Yale University Press
- Published on: 2015-03-31
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.06" w x 6.13" l, .0 pounds
- Binding: Hardcover
- 312 pages
Review “[A] revelatory and delightful study . . . Jackson’s study should renew interest in the Romantic period and its writers—the famous and forgotten alike.”?Publishers Weekly (Publishers Weekly)“Jackson commands a lifetime of reading in a fluid, ceaselessly compelling history of the literary afterlife, of how over the centuries, our concepts of a writer’s immortality have morphed, mutated, double-backed.”—William Giraldi, The New Republic (William Giraldi The New Republic)“Those Who Write for Immortality is therefore a special book, a delightfully readable and reliable witness for a subject that sometimes seems out of fashion, as ideas of posterity appear either pointless or impossible, in literature or elsewhere.”—The American Scholar (The American Scholar)“A thoughtful, elegant, and subtly humorous exploration of the specific circumstances that enable literary reputations to flourish over the long term.”—Joshua Rothman, The New Yorker (Joshua Rothman The New Yorker)“[A] fascinating new study of literary reputation . . . [a] meticulously researched, elegantly written and wonderfully subtle account of the reputational fortunes, over time, of a select group of Romantic period writers.”—The Literary Review of Canada (The Literary Review of Canada)“[A] spirited and always enlightening meditation on literary fame.”—Carlin Romano, The Chronicle of Higher Education (Carlin Romano The Chronicle of Higher Education)“[A] lively and immensely knowledgeable book.”—Richard Holmes, The New York Review of Books (Richard Holmes The New York Review of Books)
About the Author H. J. Jackson is professor emeritus at the University of Toronto, where she was one of the founders of the graduate program in book history and print culture. She has explored every major research library in the U.S. and spent many happy summer months in the British Library and other collections in the U.K. She lives in Toronto.
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5 of 5 people found the following review helpful. For the question more than for the answer By Shalom Freedman It is not merit alone but a host of subsidiary factors which enable literary immortality. Wordsworth was helped by the tourist rush to the Lake District- Jane Austen by a nephew's biography, Keats by dying young. Comparing the Romantic writers we consider great in comparison to others known today only by scholars Jackson makes the case that the ancillary elements are crucial importance.Beginning her work with an informative survey of Classical Roman views of literary fame she seems to suggest that the realm of immortal poets might well be broadened.However in a most interesting review of this book the critic Adam Kirsch suggests that most modern poets do not have their eyes on the realm of Immortality the way poets once did. He attributes this to the democratization of 'immortality' in today's new media world, and also to the sense that when Humanity itself is conceived as mortal the question of individual mortality seems less relevant.In any case Jackson's study focuses on a question which has been of supreme interest to poets, and provides an interesting and for me new perspective on the way Literary reputation is acquired and maintained.
3 of 3 people found the following review helpful. A fresh look at the construction of the canon of English Romantic poetry By Alexander Zubatov This book presents a discussion of the sometimes fickle trajectories of the posthumous reputations of Romantic poets. It is a worthwhile read for anyone who naively believes that the Canon is a purely rational construct in which the cream will inevitably rise to the top on the strength of its undeniable aesthetic merit. Prof. Jackson discusses cases of authors such as Wordsworth who achieved widespread fame and recognition during their lifetimes and never let go of it in the afterlife, cases such as Robert Southey or Walter Scott, i.e., authors whose reputations soared and then plummeted, others such as John Clare who were neglected in their day and for a long while afterwards but became belated "recovery projects" finally earning their place in the Canon and others who have been unjustly neglected to this day. She also attempts to discuss various theories of how posthumous reputation/immortality is attained and to discuss the most significant factors that may play a role in the process, with actual aesthetic quality being only one among many and requiring only that the author's work be above a certain threshold to qualify him for consideration among the "greats," with other relevant factors being the quantity of the author's work, his biography, his appeal to multiple audiences (non-readers, readers, critics and other authors), influential works written about him by critics, his own efforts to elevate his reputation, etc. All of this is interesting and enlightening, and Prof. Jackson's writing is not bogged down by academic jargon or what non-humanities-types would call "theoretical mumbo jumbo" (though I'm personally fine with such language where it has its place).Two small criticisms:(1) Although a quantitative approach to the humanities propounded by people such as Franco Moretti and Colin Martindale sometimes yields results that are short of illuminating, I do think that this is one place where numbers would have helped. Something like what Charles Murray did in his Human Accomplishment or Martindale in The Clockwork Muse, where reputation and influence were systematically quantified through tracking relevant mentions and that sort of thing, would be much appreciated in a work like this, because otherwise I'm not totally sure if I can trust the author's opinion about who's, as it were, on top and what factors got them there.(2) In a book that is about Romantic poetry, I would've appreciated a bit more actual Romantic poetry. In making the case that some of the lesser-known authors she discusses are just as Canon-worthy as the acknowledged greats, for instance, it might have helped to adduce and discuss an exemplar or two of the author's finest work, as otherwise the discussion of merit remains overly abstract. The book, as it stands, is only 228 pages of text (not including footnotes), so adding another twenty pages of discussion along these lines wouldn't have made it unwieldy, and it certainly would have been relevant. It's hard, otherwise, to join the author in her conclusions that a certain poet is/was criminally overlooked while another might have been overlooked because he just wasn't good enough/didn't stand the test of time. Relatedly, terms like "criminally overlooked" or "not good enough" are mine; Prof. Jackson shies away from any such strong evaluations, and I actually would've enjoyed a more personal touch on her part. If Harold Bloom were writing this, the book would've been full of aesthetic judgments, and while he can go overboard in making sweeping pronouncements from on high, it seems Prof. Jackson was a bit sheepish in offering her own opinions. You finish this book and have no sense of whether or not she actually likes/loves/hates/prefers a given poet, and this is a bit frustrating in a book that is intended to be all about literary reputations.But, these flaws excepted, I do feel like a book like this is far more eye-opening upon the subject of the Canon Wars than any of the mindless vitriol loosely thrown around by both traditionalists and would-be-reformers.
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